Sunday, 15 November 2009
Wednesday, 17 June 2009
Whilst tactically avoiding instant inebriation at the hands of the Dongba priest He Xiudong's self-brewed paint stripper (baijiu) one afternoon, I discovered his phonebook. Now, He Xiudong can't write Chinese, so everything he notes down is in the Dongba script - including the phonebook. This means all the names are noted in Dongba, and Chinese names are transliterated phonetically.
You can see here that the most common family name is Ho (Chinese 和 he), the Naxi character for which means 'ribs'. Ho is a traditional Naxi family name (and incidentally the name of all the Dongbas at the research institute).
Tuesday, 12 May 2009
Time for another ideogrammic compound - this time its meat + fire. Which, in Chinese, gives us 炙 zhi, and in Dongba we get bʏ˧ (Dongba on the left!).
Here we can again see the slightly more explicit, less stylised "pictographic" Dongba character, but the elements in the Chinese character are easily identifiable too.
The Dongba character is a little more complex, but (I think) easier to remember - and you can almost smell that meat!
Thursday, 7 May 2009
Putting one's heart into running a company whilst at university is a form of fruitless masochism.
- Dean of the China People's University and doctoral supervisor, professor Ji Baocheng
China is already leading the field in terms of economic recovery
- Zhang Yutai, director of China's Development Research Centre
Practically all the housing constructed from the end of 2007 to 2008 cut corners on materials and labour
- a contractor reveals the shady side of China's real estate industry
We're even more exhausted than Mencius' mother
- the parents of a Beijing primary school student explain: "she [Mencius' mother] moved house three times to choose suitable neighbours for her son's upbringing, we have moved house to be next to a good school - but from primary school all the way to university, we're going to need to move more than three times..."
It is you who saved Nanjing! Nanjing!
- director Lu Chuan, referring to the general public's "unexpectedly" warm reception to his new film
Wednesday, 6 May 2009
Joseph Rock is a bit of a legend in these parts - he's widely praised for promoting Naxi studies and producing the first dictionary of the Dongba script, which is still the most complete (his dictionary has over 3,000 entries, compared to the 1,300 odd in Fang Guoyu's - note, Fang's is a record 字谱, not a dictionary 字典)， but he was something of an eccentric, and plenty of his theories regarding the script have since been discredited (he believed the Geba phonetic script to be older than the logographic Dongba script). He never really produced any publishable translations, either, which irks me personally, because basically zero full English translations of Dongba literature exist today, and he had a wonderful opportunity to do some really accurate translations, with the help of Dongba priests.
That kind of opportunity will probably never come again - Li laoshi tells me that there are no true 'Dongba' left, and as an aside, Rock was a self-appointed 'doctor', never having studied for a doctorate. That said however, without Rock I wouldn't have been drawn to studying the Dongba script myself, and some say his articles inspired James Hilton's Lost Horizon, which is a fantastic novel.
Rock was allegedly a real eccentric, never travelling anywhere without a full set of silverware and a rubber bathtub (thanks wikipedia); but from what's left of his former residence in Yuhu village 玉湖村, none of the luxuries seem to have survived. There's a table, a chair, an old carpet and a dusty bed. Be forewarned: the picture below is what it will cost you 15 RMB to see in person (apologies for blurriness - a pox upon you, camera phone!).
Yep, that one room. That's all there was to the former residence. Luckily, I didn't actually pay for a ticket, because the ever so helpful village tourism director took me round for free.
The local villagers of Yuhu have been empowered by tourism, but only to a limited extent - tourism here amounts to a glimpse of rural Naxi life, which is of course free unless they erect a toll booth at the village entrance (this is by no means beyond the local authorities), and horse riding. Practically every household has a horse, and consequently every villager will ask you if you want to ride one.
Despite all this, Yuhu is actually far more pleasant than Lijiang's theme park of an old town ( 大研古城）, the horrifically expensive Shuhe ancient town （束河古镇）, and the foreign tourist honeypot of Baisha （白沙）. Give it ten years, though, and you'll have to dig even deeper to find that elusive pocket of traditional Naxi life.
Sunday, 3 May 2009
ŋə˧˩ gɯ˧ zi˧ be˧ ŋʏ˧˩ gu˧˩ dʐi˧ bə˧
Let's break it down (apologies for the formatting here; but Blogspot is useless at this and I don't feel like messing around with the HTML):
ŋə˧˩ gɯ˧ "We"
The character for 'I', resembling a person pointing at themselves. The character for crack/split (resembling a crack in a piece of wood), which here is a loan character representing the Naxi plural marker.
zi˧ be˧ "Always"
The character for grass and the character for 'to do'; both loan characters that together mean 'always' in Naxi.
ŋʏ˧˩ gu˧˩ "behind you"
dʐ˧ bə˧ "want to walk"
The character for 'to walk', followed by the character for 'sole of the foot', which here is a loan character for 'want to go'.
So the whole sentence should be:
"We will always walk with you" or, if you mix it round a bit, "You'll never walk alone".
Here you can see the reliance on phonetic loan characters; and of course that the verb is at the end of the sentence - like Tibetan, Naxi sentences follow the basic SOV structure.
In his dictionary, Fang says that of all the times he used the Donbga script, this occasion was the most profound.
Saturday, 2 May 2009
While it's probably useless economically, and in a corporate environment (why does the very word corporate send shivers down my spine?), it's useful in that it provides a perspective on the development of Chinese, and it has value as a tool for comparative research into oracle bone script.
One of the things that Li laoshi has been stressing is an understanding of Xu Shen's 六书 (the six categories of Chinese character classification) when analysing Dongba characters, so I can thank Dr Fuerher for having prepared me with the basics back on my MA course.
Language is very much informed by local geography. like the common cliched half-truth that Eskimos have loads of words for 'snow', the Dongba script and Naxi has lots of words for mountains. One of these words is a particular favourite: a mountain covered in trees.
The pronunciation is: sər˧ dzi˧˩ dʑy˧˩ ʂər˥ (repeated)
I love this character because it encapsulates why I dislike hiking in certain parts of China - especially Zhejiang (I'm only singling out Zhejiang because I used to live there). This is because the mountains are covered in trees, so much so that no sane person would ever think that a ramble to the top would be a fun or interesting thing to do. What are you going to do when you reach the summit? Admire the trees? And what exactly are you going to do about those nasty snake and insect bites that you collected scrambling through all that foliage? No, densely forested mountains do not a happy rambler make.
Photo: a mountain in Anji, Zhejiang.
Friday, 1 May 2009
Have a listen (the first three characters that make up the title are not read out).
It's a short reading from a Dongba scripture: Heaven and earth. Written from left to right.
The translation should go something like this:
"In the high heavens, the stars appear;
the stars shine bright today.
On the broad earth, the grass grows;
the grass is green today."
Tuesday, 28 April 2009
In the UK, you can't find Chinese books for love nor money. Actually, you can find them for money - but more money than anyone would reasonably consider parting with for a few sheets of paper bound together. London has a little Chinese booskhop - Guanghua Books - but the markup for each book is enough to make your eyes water and wallet weep. A small pocket edition of a Jin Yong novel, for example, would set you back £6 - the very same book, bought in mainland China, costs 8 RMB. So you have to pay seven times more for them to have it shipped over? What?
Anyway, now I'm back in the 赤县; I can spend hours in the dictionary section or classical literature section of the bookshop, browsing away to my heart's content. What's more, it's like a wonder emporium specifically designed for the modern sinophile about town, for you can find calligraphy brushes, inks, and all manner of DVDs, from remastered Shaw Brothers classics to 'teach yourself ultimate taiji sword stance in three hours' jobbies - all in the same shop! Every time I go into a bookshop in China, I'm struck by the sheer amount of things still left to read, but have no time to...古代经典很多，今天已不能人人尽读.
My local Xinhua has loads of interesting stuff about Dongba culture and the Dongba script, naturally, but I was pleasantly surprised to find '通俗东巴文' （Popular Dongba Script), published by the 广东科技出版社 （Guangdong Science & Technology Press）， written by He Limin 和力民. He 和 is, apparently, a common Naxi surname. Anyway, this is a textbook with sixty lessons, each lesson covering a Dongba script text, with popular sayings and Naxi riddles thrown in for good measure. What makes it extra useful is the IPA and Naxi pinyin annotations, and the culture notes that go with each lesson. I'll be translating some of it and putting it up here, periodically.
On the other hand, the dearth of good second hand bookshops in China is a topic for another day...
Sunday, 26 April 2009
This is if course, almost identical to the Chinese 明, with the sun on the left and the moon on the right, only in the Chinese there is no pictorial representation of the rays of light. Here they are together (Dongba on the left!):
You'll notice the positoning of the 'ideogrammic' elements is also near identical. No one really knows how old the Dongba script is, but it's definitely more recent than the Chinese script, and this seems to be another example of the latter's influence on the former.
1) the mid level tone - pa˧ (33)
2) the high level tone (similar to the first tone in mandarin) - pa˥ (55)
3) the low rising tone (similar to the second tone in mandarin) - pa˩˧ (24)
4) the falling tone (similar to the fourth tone in mandarin) - pa˧˩ (21)
Alexis Michaud, of the University of Paris, has done a lot of work on tones in Naxi and you can visit his homepage here, from which you can find links to some of his articles available to download. These treat the subject in a lot more depth than I could ever hope to.
Thursday, 23 April 2009
The Dongba character for spring is a 会意字 - an ideogrammic compound - consisting of sky and wind. Because of course, Spring is windy in these parts.
Pronunciation: ɳy˧˩ - the tone diacritic here - hopefully - means that it's a low falling tone, much like the fourth tone in mandarin. Have a listen - with Mr Li's dog barking in the background (click the IPA).
Friday, 17 April 2009
Although we spent most of the first class chatting about the 'Disnification' of the Lijiang Old Town and the diluting of dongba culture, I did get the chance to go through the Naxi pronunciation table at the beginning of Fang Guoyu's dictionary and make a recording of 李老师 as he did so.
Naxi pronunciation .wav file <1mb
（read vertically, top to bottom, left to right)
p, p', b, m
ts, ts', dz, s, z
t, t', d, n, l
tʂ, tʂ', dʐ, ʂ, ʐ
ɳ, tɕ, tɕ', dʑ, ɕ
k, k', g, ŋ, h, ɤ
(and now the vowels read horizontally, top to bottom - 元音）
ʏ (next two on this line are not read out)
i, y, ɯ, u
So, Naxi pronunciation has very little to do with modern Chinese putonghua (as is expected, as it's a Tibeto-Burman language). In fact 李老师 says that, like Cantonese, it has preserved some sounds from ancient Chinese. The Naxi word for sun, ɳi˧ me˧ (both mid tone), is very similar to the Tibetan ni ma (sun), and is, he tells me, the ancient Chinese pronunciation for 'sun'.
So, before next week I have to learn 72(!) dongba characters well enough to be able to write them when I hear them pronounced. If I carry on at this pace, I'll have learnt all 1300 characters in about 5 months. If I carry on at this pace...
Monday, 13 April 2009
The research institute itself is a wonderfully decrepit courtyard on the side of a hill overlooking the Black Dragon Pool (黑龙潭). Whilst the location is about as scenic and peaceful as you could wish for, it's inside the Black Dragon Pool scenic area, which means I get accosted by ticket sellers insisting I buy an extortionately priced (60 RMB) ticket each time I go! Whilst blagging one's way past ticket inspectors in Chinese is cool the first time around, it gets pretty tiresome pretty quickly.
I have been assigned a tutor, Li Jingsheng 李静生, or just 李老师, who comes highly recommended by Dr. Yang Fuquan 杨福泉. 李老师 is the kind of hale Chinese person who, although long retired, looks like he's in his late thirties. A Naxi nationality native of Lijiang, 李老师 is the perfect Dongba script tutor (or at least I hope). The study is "informal", which means I have to go to 李老师's house for tuition (fortunately, Lijiang is small enough for this not to be a problem - literally everywhere in the city is within walking distance of my accommodation). In our brief chat today, 李老师 confirmed my long held suspicion that the Dongba script is a 'complete' writing system, if a little primitive, that can be used to write letters, stories, even novels. Take that, received opinion in the West (Milnor, I'm looking at you)! The main difficulty in doing so is the limited number of characters (somewhere around 1300 simple characters), meaning that loan characters (假借字) with the same/similar pronunciation have to be used for words that don't have a specific Dongba character. This means that anything you can say in Naxi, the native language of the Naxi people, you can write in Dongba script. However, unlike Chinese, the loan characters are not fixed - they are not standardised, making them harder to recognise (ie fluency in Naxi is a prerequisite to understanding modern Dongba script, as the loan characters cannot possibly be listed in a dictionary due to their non-standard nature).
And naturally, as soon as you have things like loan characters, the script is no longer pictographic. At all. So, anyone who talks about "the Naxi pictographic script" and "the world's last living hieroglyphs" either doesn't really understand what they are talking about, or doesn't care. Most Chinese scholars fall into the second category, I suspect, largely because because Chinese Language: Fact and Fantasy, and the whole Boodberg/Creel thing never really happened in China.
"The Dongba script has written words, but no rules for writing them."
This was like music to my ears - you don't have to worry about what kind of ink you're using, how much ink you use, what kind of inkstone, how much water you apply to the ink, what kind of paper and brush, what angle to hold the brush, how much pressure to apply, and all the myriad rules and (墨守成规的) methods involved in Chinese calligraphy. Oh, and Dongba script is written with a bamboo pen, not a brush. Glad I left my 湖笔 back on the windowsill in Cornwall, then.
Time to get ready for lesson one! If things to to plan, I'll be posting audio recordings along with other study aids for anyone foolish enough to be interested.
Sunday, 12 April 2009
It is written in the Dongba scriptures that in ages past there were three sages, responsible for creating the Chinese, Tibetan and Naxi writing systems, born at the same time, but in different places.
There is a Dongba word for these three sages - 'la ie piu so si kv1' (see the above picture) - and it is generally accepted that the word has a composite meaning - in Naxi, 'la ie' means intelligent, 'piu so' means scripture and 'si kv' means three people; so taken as a whole the word means 'the three gifted sages who created [the three writing systems for] scriptures'. In the Dongba character, the three sages are sitting on the glyph for throne. This is all legend, of course, with no grounding in reality, and there is no record of these legendary people's names.
What the legend does reveal however is the closeness and common ground that the Naxi people have with the Han and the Tibetans. At any rate, it's a neat character; and it goes some way to reinforcing my belief that to truly understand the nature of the Naxi language and its Dongba script, one must have a solid grasp of both Chinese and Tibetan.
Photo and explanation from Fang Guoyu 方国瑜 , 纳西象形文字谱 (A record of Naxi pictographic characters).
1I have used the Naxi romanisation system and not the IPA that Fang uses in his book; mainly because I'm having difficulty getting IPA fonts to work properly.
Friday, 10 April 2009
So it is that I have cast off the shackles of the daily commute, and left the grey skies of the UK far behind.
Now it's time to get properly settled in - here are my targets for the next month.
1) find a Dongba script teacher
2) find a Naxi language exchange partner
3) read the rest of the 封神演义
4) get up into the hills and do some walking!